Miss Y. Kassel, 1909
This is from “square” head. Still living but have not much time to knock around.
Holly (on front of card)
November, 1909 was a momentous month in New York. As is often the case, especially in the early 1900’s, tensions amongst the working poor were brewing, and from a faction you may least expect. On November 24, 1909 — so only a few days after Square Head sent her lovely postcard to Miss Kassel — the largest strike in US history up to that point in time took place.
20,000 garment workers, many of them shirt waist factory workers (yes…THAT shirt waist factory, but more on that later), walked out. Their demands were echos of our own: better pay, better hours, safer working conditions, and unionization. History is, of course, cyclical. Because most of the striking workers were women, there was little attention paid to them at first. However, when a few wealthy women joined the cause, factory owners slowly bowed to the women’s demands. Despite resistance and interference from owners, the strike largely worked.
The Triangle Shirtwaist Factory, however, was a little different. The owners did provide better wage and better hours, but they stopped short of unionization — which meant a lack of protection for these women. This culminated in the tragic Triangle Shirtwaist Factory fire in 1911.
Now, it’s impossible to know if Square Head and/or Miss Kassel were part of the garment industries, but they would have known about the strike. If they were women who worked in any sort of industry, which I think it’s safe to say that Square Head probably did seeing as she had not much time to “knock around,” (my new favorite saying, by the way), then it would have impacted them in some way. Remember, this was a time before women could vote, so a strike that garnered better working conditions for them was an important step in the suffrage movement.
Aside from the historical context, there’s so much to love about this postcard. From the moniker “square head” to the rural photos of Hershey Cows (I like to think both ladies loved chocolate), to the hurried greeting.
However, I think one of my favorite things about this particular card, however, is how *human* it feels. The square in “square head” is drawn in such a way that the reader can see the direction her hand took. The reader can also see the mistake in “still”; the “s” covering up whatever was written before. Square Head was probably in a rush, or perhaps her mind was ahead of her hand and she began a sentence she wasn’t quite ready for. Undeterred, she clumsily corrected the mistake and continued on in her quick note to her friend. You see it again in the “c” of knock. It’s something so little, but brings the postcard — and the woman — to life in such a tangible way. I love it.
Front of postcard depicting Hershey cows. You can also see the name “Holly” on the top right corner.
Hipstory 